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The Synth-Pop Duo's Creative Genius Dave Ball Dies, Aged 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (left) established Soft Cell with Marc Almond at Leeds in 1977

The talented musician, one half of the groundbreaking 1980s synth-pop band Soft Cell, has died at the age of 66.

Alongside singer Marc Almond, the team scored a global success with their version of Gloria Jones' the classic track Tainted Love in 1984, and their debut album their initial full-length release is considered a seminal work of electronic music.

He later founded the innovative electronic act The Grid, who secured popular acclaim with their 1994 single the hit Swamp Thing.

Ball died calmly in his rest at his home in London on Wednesday 22 October, only a short time after playing a featured performance with Soft Cell at the Rewind music event in the Thames-side town.

Health Struggles

During that performance, Ball performed in a wheelchair, as he had for the last two years, after a period of health issues.

"I ended up damage myself significantly," he commented in a recent interview. "I fractured spinal bones in my back and cracked about multiple ribs and fractured my wrist."

After catching pneumonia and developing sepsis, he was put in an medically-induced sleep and remained in the hospital for half a year.

However, he had been in "high spirits mentally" during the summer, as he was developing a fresh record with Almond, titled Danceteria, which is scheduled for release in the coming year.

"He was concentrated and very pleased with the new album that we literally completed only a few days ago," stated the vocalist in a tribute.
"It's so sad as next year was all set to be such an uplifting time for him, and I take some solace from the knowledge that he heard the completed album and believed that it was a masterpiece."
Soft Cell performing in the early 1980s
The duo were at the vanguard of the synth-pop movement in the beginning of the decade

Tributes

Almond referred to his collaborator as "an exceptionally talented creative mastermind", adding: "He was the core essence of Soft Cell and I'm very proud of our legacy.

"Thank you Dave for being an immense part of my existence and for the music you gave me. I wouldn't be where I am without your influence."

Richard Norris from The Grid, also paid tribute, remembering Ball's "endless laughter" and "unwavering friendship".

"Being in a partnership with someone is different from being in a group, the connection is incredibly close," he added.
"That was the case with us. We experienced so many extraordinary, incredible, memorable moments together. Thank you, Dave."
Dave Ball in 2018
Dave Ball, photographed at BBC Radio 2 in 2018

Early Life

Born into a single-parent household in Chester in the late 50s, Ball was given up for adoption when he was 18 months of age.

He was raised in Blackpool with adoptive parents his caregivers, who altered his first name from Paul to his adopted name, together with his younger sister his sister, who was similarly welcomed.

He encountered Almond at an art college in 1977, where they were both studying art. Inspired by a shared love of Northern Soul, they formed Soft Cell the very year, and quickly produced an extended play.

Creative Collaboration

The pair were an distinctive pairing: Ball was the quiet musician, bent over his synthesizer, while Almond was a flamboyant performer, all sparkle and makeup; but they achieved a unique musical alchemy.

Ball had developed a fascination with electronic instruments after watching the band Kraftwerk appear on a television science show a popular series, and began to combine dark electronica to the catchy tunes Almond was composing.

Their signature song became the United Kingdom's second biggest-selling song of the early 80s, shifting millions of units globally. Together with hits by other artists, Human League and electronic acts, it helped cleared the way for the electronic music style of the 80s.

The track was also featured on their full-length debut, their initial LP, which produced two further high-charting singles: Bedsitter and Say Hello, Wave Goodbye.

They continued the record up with the separate release, Torch, which reached at number two in the following year.

Soft Cell in the studio
The pair were developing fresh songs until just before Ball's death

Professional Journey

Fame had its upsides. "I loved being able to purchase my first home, having money and travelling, which makes me sound like a Miss World," Ball recently told with a publication.

But it also caused problems. "Sudden riches allowed we could purchase substances to alleviate the boredom" of press appearances and television shows, Ball said.

"I realize that's a common saying, but it's a truism for a good reason, because it applies for so many bands."

During the party-filled existence, the duo were also growing distant, but they managed to create a follow-up classic album - the wayward, edgy and fittingly named The Art Of Falling Apart.

They put out one more album, 1984's This Last Night In Sodom, before ending the group to focus on other projects.

Almond proceeded to have a prosperous solo career, including the top 10 hit Something's Got A Hold Of My Heart; while Ball created The Grid, who combined dance music with melodic sounds over a long-lasting collaboration.

Later Work and Comebacks

Soft Cell reunited in the early 2000s, producing the charting album Cruelty Without Beauty.

Following a further break, they reappeared in recent years, releasing the new tracks Northern Lights and Guilty (Cos I Say You Are) before staging what was intended to be a farewell show at the large venue on 30 September, 2018.

Yet, they remained active, recording their fifth album, Happiness Not Included, during the pandemic restrictions.

Ball lately described the band's new album as a tribute to the NYC nightlife they visited while recording their first two albums.

He noted that his period in hospital had influenced the band's sound.

"I had strange recollections when I was coming and going of hospital because I was on pain medication," he explained to a publication.
"The new songs are a digital reflection of the noises in my mind from that time.
"Simultaneously, it's about the times we had in the 80s."

The last versions were completed only a short time before Ball passed away. It is due for release in Spring 2026.

The writer

Tammy Harris

Elara Vance is a literary critic and avid reader with a passion for uncovering hidden gems in contemporary fiction and non-fiction.

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